Friday, February 16, 2018

INKSPELL


Review of INKSPELL by CORNELIA FUNKE
(second in the INKHEART trilogy, translated by ANTHEA BELL)

Meggie’s magical bibliophilic adventures continue. After defeating the villain that her father accidentally read out of the infamous novel Inkheart years ago, she returns to her normal life. Better than normal, in fact, since now she has her mother back. Unfortunately, sometimes moving on is easier said than done and despite all the terrible things that have happened because of that book Meggie cannot get Inkheart out of her head. She idolizes that magical, fictional world and hopes desperately to be read into the story so she can experience all the wonder firsthand. Everyone warns her that the world of Inkheart is as horrible as it is beautiful, but she becomes obsessively fixated on seeing the beauty for herself. So she resolves to find a way to read herself into the book.

This is a re-read for me and I confess that I didn't adore this one as much as I did the first time. I suspect it’s a matter of taste. I don’t normally gravitate towards either epic fantasy or multiple POVs. At times the story felt longwinded and unnecessarily complex to me. (Whereas I recall thinking on the first reading that the layered stories and worldbuilding were impressively complex.) The story also feels too dark for my taste at times, especially with that sense of romanticizing the darkness.

That said, I still enjoyed this book cover to cover; I think I only overhyped it a little in my own mind over time. Dustfinger will always be a favorite character for me, despite falling into the exact trope of trapped in an endless cycle of tragedy that I took issue with in the above paragraph. In INKSPELL specifically, I love the complicated, thought-provoking role that Cosimo ends up playing, along the lines of which it’s constantly fascinating to consider the effects an author could have living in the world he created.

Above all, I cherish this series for the book-obsessed premise: book magic, lots of avid readers, quotes from real books, stories within stories. These novels were written as a love letter to bibliophiles everywhere and have set up a permanent place of affection for themselves in my heart. I look forward to seeing how the last book in the trilogy holds up on the second read.

Friday, February 9, 2018

BURN


Review of BURN by JULIANNA BAGGOTT
(third in the PURE trilogy)

The final installment in Baggott’s complex and beautiful PURE trilogy sees all of our favorite characters held captive by terrible circumstances and scrambling for even the tiniest bit of leverage to help their cause. If you’re avoiding spoilers of the first two books, don’t read this review.  

Partridge’s storyline in particular ran dangerously close to be boringly passive, but Baggott makes it work in same way she does the others, by evoking strong emotional empathy for her characters. Partridge finds himself stuck as a powerless figurehead. He carries on with his fake engagement, following a schedule of trivial activities and photo ops while what he really wants is to be plotting the Dome’s downfall with the woman he truly loves, Lyda. As mentioned earlier, all the main characters find themselves trapped in frustratingly powerless circumstances. Lyda misses the outside something fierce. It was dangerous but liberating. Now she plays the damsel in a tower role, hidden away in a beautiful apartment where she can’t see Partridge and she doesn’t have the freedom to come and go as she wishes.  

The only drawback for me was the ending. The entire series has a very slow, character focused build towards an inevitable showdown between those inside and outside the Dome. Then the hurried climax comes abruptly and the series ends without much denouement. I have always been a reader more interested in the aftermath of an explosion than the explosion itself, so it disappointed me that we aren’t privy to much aftermath.

Regardless theses characters made themselves comfortable in my heart and I won’t soon forget about the girl with a doll for a hand, the boy with birds on his back, the brothers fused together, or the girl who crafted spears from a crib.

Friday, February 2, 2018

IN THE GARDEN OF BEASTS


Review of IN THE GARDEN OF BEASTS by ERIK LARSON

With this nonfiction history book, Larson follow the American ambassador in Germany before World War II. The book almost reads like fiction with a well-paced sense of storyline and plot threads as Larson leads readers through a wealth of complicated, layered information.

Above all this is a true tale about the ambassador William E. Dodd, but his daughter Martha also plays a significant part. Starting with Dodd, though, he had an admirable view on the role of politicians that I wish we saw more of today. He believed politicians, diplomats included, serve their country and their people and should not be extravagantly rewarded for service he considers more a duty than a favor. Dodd took his pay at a much lower rate than offered and frequently turned down luxuries in favor of more practical, cost-efficient alternatives. Nobel as this may sound to some, myself included, this modest approach earned him countless enemies and he spent most of his career fighting off one attempt or another to oust him from his position in favor of someone more traditional (and by that I do mean more of a spendthrift). The official stance against Dodd was that part of a diplomat’s role is to pamper and impress his peers. However, I believe (and this is me talking, not something taken from the book) that people like Dodd threaten those more attached to their bloated salaries and excessive lifestyles. Dodd focused on the work: on who he needed to talk to and more on what should be said in that conversation than what fancy restaurant or party they should attend, what they should wear and eat, or how he could phrases bribes as gifts, etc.

Meanwhile Dodd’s daughter Martha loved the attention her father’s role brought her. She became infamous in their circle for her promiscuous dating life. Her lovers included some men very powerful in politics at the time, including the first chief of the Gestapo and a Soviet spy. My impression at least, though, is that Martha seemed to care little for the political connections of these men beyond a novelty that contributed to their complex and intriguing characters as men romantically interested in her.

It feels odd to make such statements about Dodd and Martha, as if I knew them at all. Larson, however, includes plenty of first hand quotes from speeches, interviews, conversations, and letters, enough that the reader can start to believe they have an idea of what kind of people contributed to this part of history. It’s particularly eye-opening reading direct quotes on how people reacted to Hitler at the time, not to mention direct quotes from Hitler himself. Larson paints a not unfamiliar portrait of a world in denial and a U.S. preoccupied with their own priorities. Sadly, and again all too familiar, Dodd’s warnings become lost in pettier politics. His peers look down on him as an idealistic nonconformist due to his financial beliefs and then their dislike of him turns to an eagerness to dismiss anything he claims, including warnings about the threat Germany poses to Jews, to the U.S., and to the world.

Dodd might sound like a heroic underdog in my descriptions, but Larson is carefully avoids idolizing him. Both Dodd and Martha make anti-Semitic statements, establishing that while they abhor the thought of genocide they do both agree that Jews are a worldwide “problem.” Near the end of the book there’s also brief mention of something terrible Dodd does once back in the U.S., a seemingly random story except as a reminder of who he was as a complete, flawed man of his time.

The short chapters make this thick book read faster than expected. With the excerpts from historical documents providing real words from real people, Larson gives his readers at least a subtle sense that we were there. He treats these figures with careful attention to their hypocrisies and nuances, piecing together a familiar world of flawed human beings and how those flaws can sometimes leave big gaps in mankind overall, gaps that can be exploited in the worst ways imaginable.

It’s only in the past five years or so that I have taken an interest in nonfiction as well as fiction, but Larson’s unique way of making history read like a story makes me eager to hunt down his other books.