Writing is a passion. Publishing is a business.

J.M. SIDOROVA

Interview with J.M. SIDOROVA

J.M. Sidorova is the author of science fiction and fantasy short stories and a novel THE AGE OF ICE (Scribner/Simon & Schuster, 2013), which blends history and magic realism. The novel was featured in Locus Magazine's recommended reading list and among Tor’s best books of 2013. J.M.’s short stories appeared in Clarkesworld, Asimov's, Abyss and Apex, and other venues. She is a 2009 Clarion West workshop graduate. She holds a Ph.D. in molecular genetics and does biomedical research at the University of Washington, Seattle.

What are you reading right now?

First of all, thank you for reaching out to me; I appreciate it. So, to begin: MAGIC PRAGUE by Angelo Maria Ripellino. As it often happens, it’s part of my research for the novel that I’m writing. The book is in a genre of its own — a city’s biography written by a hyperverbal, hyperbolic, gushing, excitable Italian literati who lived there in the nineteen sixties. Part history, part literary criticism, part a flight of fancy. Very useful. 
 
What first sparked your interest in writing?

I am one of those people who have been writing (or telling, anyway) stories for as long as they remember, so it is hard to pinpoint exactly how it happened or why. The usual “triggers” were in place, of course, like growing up with a lot of books.   

What do you love the most about writing? The least?

There are public and private, personal and professional aspects to writing that have good and bad facets. Let’s say we talk about writing as a private preoccupation. Love the most: isn’t it total fun? An introvert’s guilty pleasure. To go roaming in your head and make stuff up and put it into nicely arranged sentences. Love the least: I am terribly slow. I second-guess and self-doubt. I get in my own way. I can’t get out of my own head!   

Tell us a little about your writing process.

A pain in the gluteus maximus. I start out with an irrational need to write about a particular thing. I outline it in general strokes. As I actually write it, it changes, of course. My understanding of it grows. Characters grow. Sometimes there are whole paragraphs that I build one word at a time. In some ways it becomes a piece of installation art made of found objects. Those found objects are historical facts, or trivia, or memories, or images, or coincidences. It can become too cluttered of course, and then I need to clean it up.   

What are your passions?

A side note: I typically have difficulty answering the simplest questions (like this one pretends to be) — because I have a compulsion to complicate things. Let’s see…I guess I still, after twenty years of doing it, have a passion for science. I wish I could do more to promote it (Neil deGrasse Tyson is such an inspiration!). In general, learning stuff about the world and telling it in stories. I suppose I feel pretty passionate about that.

What inspires you?

Ah, another one of those deceptively simple questions. I am just going to rattle off one long example. A kid running in the field with his/her arms outstretched, imagining s/he is an airplane — that’s inspiring. That same kid, now a pilot, bombing the heck out of something — that’s not so inspiring, but it is complicated, so I won’t judge. The story of Charlie Brown, an American, and Franz Stigler, a German, two WW2 pilots, is inspiring: one is in a seriously wounded and barely limping bomber and in swoops another in a fighter, with orders to shoot, but instead of dispatching Brown Stigler escorts him out of harm’s way; and then decades later they connect and become friends, and then some more years later a man writes a book about them, and another man lovingly paints a painting for the book’s cover, and then a whole bunch of people read this book and keep writing heartfelt comments online — that whole thread is inspiring, I think.

Why speculative fiction? (If you consider THE AGE OF ICE as such. If not, why not?)

I do consider it speculative fiction. Though not fantasy. Magic realism. As to why — my latest explanation is that infusion of reality with magic is an almost inevitable byproduct of our minds. Our minds just kind of… sweat magic all the time. What we do with it —now that depends on us. It can help us parse reality, process and accept it, but it can also mislead us. In THE AGE OF ICE I was processing reality with the help of magic. The rest is realism.

How was THE AGE OF ICE born?

Five years of labor… then a C-section… just joking. I can tell you exactly how it was conceived: I read an article in The New Yorker called Ice Renaissance by Elif Batuman (who is inspiring, by the way). That’s how I learned about the Ice Palace built in the 18th century Russia and the wedding night that took place in it. And that was it: I wanted to write about the children conceived that night.

Did the story require a lot of research?

Oh, yes. Fortunately, I did not realize at the beginning how much research it would take. And when the realization hit me, it was too late.

What drew you to write about Russia in particular?

If the Ice Palace had been built in— I don’t know— New Zealand, I would have had to write about New Zealand. But it was like: hooray, I actually know a thing or two about the subject. I am of Russian extraction.

Do you have any advice for aspiring authors?

The other day I stumbled across something William Vollmann wrote in 1990 for the Conjunction magazine. In his article titled happily, American Writing today: a diagnosis of the disease, he says among other things, “We should never write without feeling.” I totally agree. It is, of course, a pledge rather than advice. But it does seem to me that an aspiring author’s first novel has a better chance (all other things being equal) of winning a publisher’s heart if it is written from the author’s heart.  

Is there anything else you would like to tell us about yourself?

Hmm. I can’t think of much. I grow grossly oversized vegetables in my backyard. I am a pessimistic humanist. A month ago I flew over the bar of my bicycle and hit the pavement because I was distracted by a need to fish something out of my pocket. Tells a story, doesn’t it?
 



RENE DENFELD


Interview with RENE DENFELD

Rene has written for many esteemed publications including The New York Times Magazine, The Oregonian, and the Philadelphia Inquirer. She is a published author of three nonfiction books. Her first novel, THE ENCHANTED, was published by HarperCollins in March 2014. A finalist for the esteemed 2014 Flaherty-Dunnan First Novel Prize, THE ENCHANTED has been garnering outstanding acclaim, with rave reviews from Library Journal, Publisher’s Weekly, and other publications. In addition to her writing career, Rene Denfeld is a death penalty investigator who works with men and women facing execution. Rene has extensive training and experience in subjects including FASD, drug effects and cognitive impairments. She is the happy mother of three children she adopted from state foster care.

What are you reading right now?

THE MIDDLESTEINS by Jami Attenberg. It is brilliant.

What first sparked your interest in writing?

I've always been a voracious reader. Books were my childhood solace, the public library my sanctuary. As a child I often escaped into fantasy, until the line became blurred—I remember making little hashmarks on our family calendar for the days I expected the Indians to come and rescue me. I was in sixth grade when I had one of those miraculous, life-changing teachers. She sent one of my short stories into a junior scholastic magazine. It won first prize—a new typewriter. I remember how proud I was of that typewriter. I used it for many years.

What do you love the most about writing? The least?

I love the joy of being immersed in the story. I think it is much the same for writer as it is for reader—that state of suspended joy inside another world. The hard part is when the story doesn't come easily, or when the craftsman in you has to come out and give it a good tinkering.

Tell us a little about your writing process.

I believe in following the voice. The nice part of fiction is setting aside one's own ego and silly opinions, and letting the characters tell their own story. I just try to listen. A lot of fiction writing is being a good listener. When I have an idea I open a new word doc and I just start writing. I listen to what this character is telling me and I write it down. Later I go back as an editor and help the voice clean up. I consider myself the caretaker of the voice. My job as a writer is to facilitate the truth of others. What I have found is this allows me to really let go—that is how the poetry comes.

What are your passions?

Besides reading? I love my kids. I love parenting! I've done foster parenting as well as adopting my kids from foster care. I find parenting illuminating on so many levels—it gives me a lot to think about, as does my day job, which is working with men and women facing execution. I like being challenged, emotionally as well as intellectually. Life can be so achingly beautiful. It can be devastatingly painful, grievously harmful, and yet so beautiful. My greatest passion is just for life.

What inspires you?

Other human beings inspire me. Our failings, our humility, or innate goodness even when we do harm. I am endlessly inspired by humanity.

Why fiction?

You can tell so much more truth with fiction. Alexi Zenter, the author of THE LOBSTER KING, says people read newspapers to find out the facts, but they read fiction to learn the truth. He's right.

Why magical realism? (Assuming you consider your work magical realism, which I think is debatable. If you don't, why not?)

I don't consider THE ENCHANTED magical realism. It is how the narrator sees reality. Who is to say he is wrong and another person is right? Our society has a very narrow construct of reality that is basically whatever the dominant culture endorses: you can believe in astrology or angels but not the walls talking; you can espouse heaven but not hell, and so forth. But for a person locked in a death row cell, that is not their reality. I believe the narrator of THE ENCHANTED conveys a much more authentic sense of what prison is truly like, because his reality reflects his true experiences. That includes the ability to find joy and magic and beauty even in the midst of horror and despair.

How was THE ENCHANTED born?

I was leaving the death row prison one day and happened to look up at the stone walls. I remember hearing a very quiet, distinctive, soft voice. He told me, "This is an enchanted place." I drove home, musing on that voice. He became a very real person to me. He would come and tell me his story, and I began writing it down. He would sit at the side of my desk, scaly skin, long nails. Sometimes he would just appear in my car while I was driving—usually into the deep woods for my work—and I would have to pull over and write down what he said.

What drew you to writing about prison life, and death row inmates in particular?

I think it was natural for me, because my day job is the same as the character called the lady in the novel. I've learned so much from the work, about the human capacity for redemption as well as harm. People go inside prisons and they disappear. Thousands up thousands, every year. We send them away and they vanish. They are our caste of invisibles. For all our obsession with crime and violence, we often don't stop to ask why.
Why do some people hurt others? How come some of us can overcome abusive childhoods, and others succumb to rage? What is the nature of forgiveness? Do we all have souls? I am intrigued by those questions.

Do you have any advice for aspiring authors?

Good reading makes for good writing. Read, and then read some more. Everything you need to know about writing is in the pages of good books. Then, find out what works for you. Is it a writing group? Is it being inspired by your friends or family? Reach out to other writers. I am only an email away—renedenfeld@gmail.com—and most writers are very friendly and supportive of others. Mostly, believe in your own voice. Write to tell the truth.

Is there anything else you would like to tell us about yourself?

That I am honored to be here, to be listened to and heard by you and your readers. Life is a story—a precious story. And now I am part of your story, and you are part of mine.